Bill places a happy midnight call to a friend, after a wild night, little does he know what is in store in the morning.

A philandering travel writer balances two associates lives in the U.S. and the U.K.

In need of creative inspiration, a professionally stagnant and hard-partying Los Angeles artist recklessly indulges in a series of drug binges. As the narcotics fly out of control, so does her newfound and inexplicable, yet unquenchable, craving for blood.

A mind-bending love story following Greg who, after recently being divorced and then fired, meets the mysterious Isabel, a woman living on the streets and convinced that the polluted, broken world around them is just a computer simulation. Doubtful at first, Greg eventually discovers there may be some truth to Isabel’s wild conspiracy.

Bliss is a Canadian produced, half hour dramatic television series, produced by Montreal-based Galafilm and Toronto-based Back Alley Films, an anthology of women's erotica. The series ran from 2002 to 2004.The format of the show—short, sensual vignettes adapted for television—aired on Oxygen in the United States and Showcase, TMN and Movie Central in Canada. The series is distributed by Oasis International in Toronto.

Bliss tells the story of Katherine Mansfield in her early 20s as she leaves New Zealand and begins her journey as a writer.

Part 2 of the Virgil Bliss trilogy, Bliss picks up Virgil's story 20 years later in the deserts of Southern California where a fugitive Virgil scratches out a meager existence as an Oxy-addicted stable hand.

Marie, a pretty young woman, wanders through the aisles of a futuristic supermarket where everything, from the miracle pill to the virtual man, is for sale. Tonight, she's having a birthday party. She's invited a few old friends and their virtual companions. Everyone is young, beautiful and meek.

Wonderfully surreal, painfully real, this is the story of children, adults and animals who live together trying to have a better life, but sometimes death comes unexpectedly. The lives of three characters surrounded by a bunch of extraordinary, funny, absurd but quite realistic events. It is all about us, people who eat the animals that they love and the animals that love people unconditionally.

Domestic (as long as it lasts) was made in 2002 in Gordon’s one-bedroom apartment in downtown New York City. It shows the artist’s foot repeatedly kicking the camera around a clean, quiet domestic space until the video blacks out. The victim of the booting, the camera itself, is recording the footage we see. The viewer is disoriented by the film’s upsetting of the conventional relationship between documenting and participating, which makes the camera complicit in the act.